Benjamin and Deleuze: Approaches to a Critical History in Film Images
Benjamin and Deleuze: Approaches to a Critical History in Film Images
Abstract
The article combines Walter Benjamin's concept of the dialectical image and Gilles Deleuze's concept of the time-image to develop an approach to using film as an instrument in historical research.
Citation
Copy Citation
BibTex
Except where otherwise noted, this item's license is described as:
Creative Commons Attribution Non Commercial No Derivatives 4.0 Generic
Creative Commons Attribution Non Commercial No Derivatives 4.0 Generic
Keywords:
historyfilmresearch methoddialectics