Das Postfaktische und der Dokumentarfilm
Das Postfaktische und der Dokumentarfilm
Abstract
The talk of post-truth dominates the current discussion concerning the alleged objectivity of news-coverage via audio-visual mass media. An examination of the problems raised by post-truth, however, is nothing new but rather has been discussed in many ways by traditional and contemporary documentary film-theories. This article makes a case for revitalizing the term of post-truth with the help of those theories (as well as cinematic productions) by Vertov, Grierson, Balàzs, Buñuel and Niney.
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Except where otherwise noted, this item's license is described as:
Creative Commons Attribution Non Commercial Share Alike 3.0 Generic
Creative Commons Attribution Non Commercial Share Alike 3.0 Generic
Keywords:
PostfaktizitätPostfaktischenBerichterstattungObjektivitätDokumentarfilm