"Denn da ist keine Stelle, die dich nicht sieht." Minority Report und die Kunst als De/Legitimation
"Denn da ist keine Stelle, die dich nicht sieht." Minority Report und die Kunst als De/Legitimation
Abstract
Following Hegel's remark that art is a “thousand-eyed Argos,” one can formulate the assumption that under contemporary conditions art and surveillance state do not necessarily exclude, but reflect each other. The film minority report as popular art offers a visual self-reflection on this proposition. The central question is whether and to what extend this film performs a legitimization or delegitimization of the normative order.
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Creative Commons Attribution Non Commercial Share Alike 3.0 Generic
Creative Commons Attribution Non Commercial Share Alike 3.0 Generic
Keywords:
FilmÜberwachung