Jenseits der Starrheit des Gemäldes. Luchino Viscontis kristalline Filmwelten am Beispiel von GRUPPO DI FAMIGLIA IN UN INTERNO (GEWALT UND LEIDENSCHAFT)
Jenseits der Starrheit des Gemäldes. Luchino Viscontis kristalline Filmwelten am Beispiel von GRUPPO DI FAMIGLIA IN UN INTERNO (GEWALT UND LEIDENSCHAFT)
Abstract
The films of Luchino Visconti, according to Gilles Deleuze, provide examples of the ›crystal-image‹. ›Crystal-images‹ become manifest through Visconti's use of mirror in his films. This analysis of the film GRUPPO DI FAMIGLIA IN UN INTERNO (1974) asks whether a ›crystal-image‹ does not also result from Visconti's use of paintings.
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Keywords:
imagemovietheorypainting