Praktiken des Inkarnierens Nachstellen, Verkörpern, Einverleiben
Praktiken des Inkarnierens Nachstellen, Verkörpern, Einverleiben
Abstract
Just as the theological notion of incarnation, the media-aesthetic term ›embodiment‹ implies a transition from an immaterial principle to something genuinely material. Aesthetic embodiments are increasingly discussed un- der the keyword ›reenactment,‹ which aims to re-experience a historical situation and thus make it more accessible. Reenactments, how- ever, do not have to be bound exclusively to such a logic of identity; instead, they can also produce excessive, hypermimetic effects, as can be shown with reference to the obsession rituals of the Hauka and their cinematic adaptation in Les Maîtres Fous by Jean Rouch.
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Except where otherwise noted, this item's license is described as:
Creative Commons Attribution Non Commercial Share Alike 3.0 Generic
Creative Commons Attribution Non Commercial Share Alike 3.0 Generic
Keywords:
InkarnationMedienästhetikVerkörperungFilm
