Fake-Dokus und ihr Beitrag zur Krise der Repräsentationskritik
Fake-Dokus und ihr Beitrag zur Krise der Repräsentationskritik
Abstract
Fake documentaries are often understood as a hybrid and critical form of narrative between the poles of feature and documentary film. The essay seeks to challenge this widespread attribution by showing how this specific form of critique of representation structurally suspends itself and thus systemically plays a part in the crisis of representational critique, instead of productively contributing, as a Deleuzian project of the reversal of Platonism would, to a crisis of representation.
Citation
Copy Citation
BibTex
Except where otherwise noted, this item's license is described as:
Creative Commons Attribution Non Commercial No Derivatives 4.0 Generic
Creative Commons Attribution Non Commercial No Derivatives 4.0 Generic
Keywords:
DokumentarfilmFake-DokusFaktizitätRepräsentation