Features

NECSUS Editorial Board:

Editorial NECSUS

S. 1-3

Ian Garwood:

From ‘video essay’ to ‘video monograph’? Indy Vinyl as academic book

S. 5-29

Kata Szita:

New perspectives on an imperfect cinema: Smartphones, spectatorship, and screen culture 2.0

S. 31-52

Julia Leyda; Chris Tedjasukmana:

Film studies, feminism, and film curating in Germany: An interview with Heide Schlüpmann and Karola Gramann

S. 53-68

Bodil Marie Stavning Thomsen:

The play of iconicity in Lars von Trier’s THE HOUSE THAT JACK BUILT

S. 69-89

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Special section: #Intelligence

edited by Patricia Pisters and Ruggero Eugeni

Ruggero Eugeni; Patricia Pisters:

The artificial intelligence of a machine: Moving images in the age of algorithms

S. 91-100

Amir Vudka:

The Golem in the age of artificial intelligence

S. 101-123

Patricia Trapero-Llobera:

Tales from the cyborg society: The construction of subject and power in contemporary artificial intelligence(s) narratives

S. 125-149

Martin Hennig:

Playing intelligence: On representations and uses of artificial intelligence in videogames

S. 151-171

Federico Biggio:

Augmented consciousness: Artificial gazes fifty years after Gene Youngblood’s Expanded Cinema

S. 173-192

Pei-Sze Chow:

Ghost in the (Hollywood) machine: Emergent applications of artificial intelligence in the film industry

S. 193-214

Oshri Bar-Gil:

Clipping us together: The case of the Google Clips camera

S. 215-236

Shintaro Miyazaki:

Critical re-modelling of algorithm-driven intelligence as commonist media practice

S. 237-257

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Audiovisual Essays

edited by Richard Misek

Richard Misek:

A Machine for Viewing

S. 259-262

Charlie Shackleton:

A Machine for Viewing – 1 – A Frame of the Mind

S. 263-263

Richard Misek:

A Machine for Viewing – 2 – A Pillow of Light

S. 265-265

Oscar Raby:

A Machine for Viewing – 3 – Manual for a Disassembly of Cinema

S. 267-267

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Book Reviews

edited by Lavinia Brydon and Victoria Pastor-González

Malgorzata Bugaj:

Futurist Cinema / Cubism and Futurism

S. 269-277

Bianka-Isabell Scharmann:

(Ad)Dressing film history: Film and Fashion amidst the Ruins of Berlin / Film, Fashion and the 1960s

S. 279-288

Nace Zavrl:

Megaphone, Molotov, Moviola: 1968 and Global Cinema / Celluloid Revolt

S. 289-298

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Festival Reviews

edited by Marijke de Valck and Antoine Damiens

Juan Velásquez-Buriticá:

Nothing short of a revolution: A conversation with Frank Saptel of the Canadian Labour International Film Festival

S. 299-305

Niv Fux:

VR on the film festival circuit: IDFA & IFFR 2017-2019

S. 307-314

Zeynep Kartal:

Queer City Cinema’s ‘Qaleidoscope’: Festival movements, curation experiments, and queer experimentality

S. 315-323

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Exhibition Reviews

edited by Miriam de Rosa and Leo Goldsmith

Occitane Lacurie; Barnabé Sauvage:

Cinema and a ‘time-varying universe’: An interview with curator Antonio Somaini

S. 325-337

Raquel Schefer:

Making the Xapiri dance: Photography and shamanism in the exhibition Claudia Andujar, The Yanomami Struggle

S. 339-350